Brigitte DeMeyer & Will Kimbrough
Let’s be straight: I don’t like Will Kimbrough.
Will Kimbrough is just too talented and inspiring. I know it is irrational jealousy as I have no musical talent, and I am sure I am better at a couple things that Kimbrough is—not much market for ability to recite random facts from the backs of 70s O-Pee-Chee hockey cards, though.
Equal parts Buddy Miller, Larry Jon Wilson, and Darrell Scott, Kimbrough churns out albums of excellence and depth like few I can think of in the broad Americana world. He is a guitarist of significance, coaxing notes and moods that are, depending on the context, soulful country or rapid-fire rock. It seems like he always has a new recording out whether with one of his bands—Daddy and Willie Sugarcapps— or as a solo artist. He has produced dozens (including Fervor Coulee favourites Doug Seegers, Kate Campbell, and Todd Snider) and collaborated with more (Amy Black, Tom Russell, Rodney Crowell, Greg Trooper, Billy Joe Shaver, and Gretchen Peters) always bringing impressive qualities to projects. His songs have been recorded by Jack Ingram, Jimmy Buffett, Little Feet, and the Hard Working Americans.
It seems that every time I turn around I am dropping dollars on a Kimbrough-associated recording, and that gets expensive. I know I’m not the only one who appreciates Kimbrough as I’ve purchased Kimbrough recordings that are no longer on my shelves: to my consternation, they’ve been lent out and not returned.
No, I don’t like Will Kimbrough. I kinda love him.
I’m starting to feel the same way about Brigitte DeMeyer. Unfortunately, I had never heard of her prior to finding out she was releasing Mockingbird Soul with Kimbrough, the album shortly to be under discussion. I`ve dropped dollars on three of her albums since receiving this album for review, and I still have a number to explore—like Kimbrough, she is costing me money. Additionally, DeMeyer can sing. Man, can she sing.
Having appeared on each others’ albums and performed together, the pair have released their debut recording, one that is certainly going to be considered on many year-end, ‘best of’ lists when the time comes.
Largely taking the lead on alternating songs, they have produced an ideally balanced duet recording, with DeMeyer’s Side One Melissa Etheridge passionate huskiness pairing with Kimbrough’s restrained, telling honesty.
Tracks three through five (“The Juke,” “Running Round,” and the title track) are about as spirited, swampy, and Southern-country soul as the album gets, while in other places the songs more closely resembles what country music once was and could be again given a shot of 3614 Jackson Highway swagger. Not as full-blown but every bit as funky as Bobbie Gentry’s best work, each track has more soul than 98% of what any of us have heard on modern country radio this decade. The arrangements are straight-forward rather than minimalistic, allowing the duet vocals prominence.
Mid-set, family relations courses through numbers including “Rainy Day” (inspired by a child’s struggle,) “Little Easy,” (an atmospheric expression of a wanderer, perhaps), “I Can Hear Your Voice” (vivid memories of a father approaching the end) and even “Honey Bee,” with a no-nonsense mama of a different stripe. It is this intimacy of subject matter that allows Kimbrough and DeMeyer to positively shine throughout the 43-minute set: their musical, artistic bonding complete.
“Broken Fences” allows Kimbrough more latitude vocally and instrumentally, and is among the finest of his recorded performances I’ve encountered. The Incredible String Band’s venerable “October Song” is the set’s sole cover, and this ode to time’s passing is a suitable and compelling closing to a remarkable album. Ah, those doors behind our mind, indeed.
Long before my tenth or twentieth listening of Mockingbird Soul was completed, I was reinvigorated, having found another album to get me through this horrid January of upset and turmoil. Will Kimbrough and Brigitte DeMeyer. Remember them, and buy their album—you won’t be disappointed.
Sincere thanks for visiting Fervor Coulee.
January 29, 2017 by Donald Teplyske